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This is Loren Weisman in this episode of
Wait What Really OK.

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Is focusing on those that have decided to write a
book while it's turned into a time

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where anybody can write a book, it seems.
And many of these books that are coming out are

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AI generated and AI prompted.
And there's a lot of, there's a lot of reasons for

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a lot of people not to write a
book. If you're really looking to the point of,

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oh, I'm trying to appear as an
authority, so I'll write a book, or I'll use AI or

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I'll use these chat GPT prompt
lessons and how to write a book in 20 minutes, you

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know, not really a great idea,
and I'm not trying to get off that path.

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But if you genuinely have an authentic,
authoritative, true story and there's

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something that you want to get out, and
regardless of whether it's to sell some

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books to open up speaking opportunities, to move
toward, you know, move something to

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clients that genuinely has a foundation that is
true and that is you, then

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hopefully this podcast will be helpful.
However, it's really a stop point

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and turn it off.
If you're just doing the book thing because they

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say everybody has a book in them.
I don't, I don't believe that. I don't think

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everybody has a book in them.
And I think it's shown more and more in these

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last number of years with so many
people trying to push out these double spaced,

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large font, all these images, images
of other people's quotes, other people's stuff,

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that model of chapter openers where
it's some famous Zig Ziglar or Dale

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Carnegie quote.
Where is the authority in that?

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It's sort of like those videos that you see on
YouTube or Instagram or anywhere else

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where it's. Somebody else is commenting on an
actual authority, but they're not

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really bringing anything to the table.
So I guess that would be kind of the

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preface of this.
Let's say that you are not one of those people and

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you have a genuine story and it's
a story that you want to get out there.

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While many say, okay, well, you've just got to
write and you got to join these

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writing workshops and you've got.
And here's how you write a book,

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and here's how you
do this, and here's how you do

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that, that does work for some, but not
necessarily for all.

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And many of these people that are pushing the
here's how to publish a book, many of

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them have, you know, not 
really all that successful

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books for themselves and they've
put together some kind of course or some kind of

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model to try to get other people to
do it so that they can cash in.

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I would be very wary of these courses.
And also when you're looking up about

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publishing, there are a number of self
publishing scams out there. And the thing is,

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anybody, oh, we'll hook you up with
editors, we'll hook you up

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with this, we'll hook you
up with distribution, we'll get

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this thing to be an Amazon bestseller.
I'm going to touch on that before we dig into the

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book an Amazon bestseller and look
at the expert. You can become many.

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There are genuine self publishers out there, but
a lot of these are scams where

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they're looking for money to basically
build a book that has no

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solid foundation, no security and no real
stability, especially in today's market

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with AI, with plagiarism. And as all these things
have just increased and gotten

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wor. And then that last touch on the whole Amazon
bestseller, I don't know what the

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price is, I'm sure it's gone down now, but these
people claiming to have Amazon

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bestsellers, isn't it amazing? Take two
seconds to think about it.

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Isn't it amazing how many 
people have claimed to be

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best sellers that you've never
heard of? Amazon has thousands

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of categories.
And just to touch on this and then move on,

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what some of these book
consultants will tell you to do is to pick a

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category that's very, very low and then
you attack in there and then

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you can buy this little
program where it's going to get

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a whole bunch of robots to download your book at
the same time and it's going to

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bump you up to number one in a given category and
you'll be there for a minute or

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five minutes or ten minutes, who knows?
And then they're going to grab a screenshot when

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that happens, they'll send it to
you and all of a sudden you're an

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Amazon bestseller.
That's a lie, that's deceptive.

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You are a best bought download for a momentary
time for seconds, minutes,

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maybe a few hours, and then it went away because
you didn't see a single sale from

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that. You ended up spending money for
this hype position.

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And more people are getting onto that.
Again, if that's something that you want to do and

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you want to claim on the Amazon
best seller thing, this podcast

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might not be for you.
I'm not trying to turn people off in a way, but if

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you genuinely want to put out a
book Consider doing it in the right way, in a

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foundational way, in a secure way, and
moving away the assumptions

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and the connotations of
an industry that has become more

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and more flawed. I, I, I've
published three books.

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One was completely self published.
It was, it was self published through an agent

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and it was a self publishing
house of sorts. So a lot of it

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was paid for.
I was guided through, I was guided

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through their process.
I had paid out of pocket for that.

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And then there was baseline distribution.
The second book was a hybrid publish and these are

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publishing options that you can
have. The second book was a

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hybrid publisher.
It was a great publisher that took some of the

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cost, I took some of the cost.
It's a very fair percentage that

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comes back.
You're going to get paid a little bit more when

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you have some skin in the game.
And it worked out decently well.

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The third book was a major publisher and
I ended up brokering a

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deal with that major publisher, knowing where the
state of the book industry was,

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where I really wrote on the front side and gave
royalties and extended elements on

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the backside back to the publisher.
And in that it was an advantage for many years for

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me because the level of promotion
went up, up that much more because I wasn't

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necessarily getting the royalties.
Now some jumped on me for that saying,

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okay, that's foolish.
But even with certain major publishers and with

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hybrid, you are paying or money is
being spent that you have to pay back, that comes

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to the warehousing, comes to the
transportation, parts of printing, all of these

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different costs that come into line.
And what I felt was I'm going to get on the front

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side before the bulk of these
costs come in, handle some

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of these costs, take the
advance, take these payments and

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I'll be good to go. And in that book that still is
marketed and out there today, it

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helps to promote me. And I guess as we jump now
into the actual foundation, are you

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looking for a book where you're trying to
make X a quarter and most

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of the books, major publishing, they pay
quarterly or are you looking at other

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elements? Because if you're looking solely to have
a living as an author, that's a

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very challenging world to be in and more than
likely it really is impossible these

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days. I would advise that if you have a story, if
you're tying that to genuine

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speaking, if you're tying 
that to services that you

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provide, if you're tying that to
other elements, it's going to put you in a greater

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position than trying to put out
this book. Now the Same thing goes.

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It even goes a little bit worse for
children's books.

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Children's books pay even less in some.
In some cases. Is it something you want to do

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genuinely from the heart and tie
it to a company that you're with, a nonprofit

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speaking clients product, anything
like that, that can be a great connection,

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that can be a great bridge.
But sitting there solely operating purely

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on just book revenue is
a dangerous way to go. Now adding the numerous

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elements can be a good idea and that
can up the. Up the revenue too.

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And this is kind of on the front side.
Thinking about not just the paperback, but are you

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going to do a hardcover, are you
going to do an ebook? Are you going to

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also do an audio?
I really recommend all of those.

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Now, my second book, it was a music
business book.

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One of the things I did 
with the audio and I highly

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recommend it for people that are
putting out something that might be a

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little bit more.
If you're a strategist, a consultant, coach, you

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have a series of different topics
run through different chapters and you're able to

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have a book that can be read from
any space. And I prided myself on my second

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book that you could read.
You could read the Artist's Guide to

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Success in the Music Business.
If you just wanted to read chapter nine, you

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could read chapter nine.
If you wanted to read 10 and go, then go to

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two, you could do that.
You could read it front to back.

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It had a format to it, but it also was a
choose your own adventure.

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And in that when I released the book with the
hybrid publisher, I went to them and

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said, as opposed to okay, we're putting out the
paperback, the hard copy, the ebook

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and the audio all at once. I opted to
go a different route.

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I said, let's get the ebook out first, get it
warmed up, get some press releases

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going, then put out the paperback
and the hard copy.

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Then from there, a month 
later, we staggered for 12

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months an audiobook coming out
once a month. And in that audiobook was

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just a single chapter.
So chapter one came

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out a month later, chapter two,
and inside of the promotion that

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was online and also in press releases
and in major media.

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It wasn't the same concept of buy my book, buy my
book, buy my book, you got to buy

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my book, review my book. There was an element of
this is available right now, the

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audiobook for chat, you know, the audio chapter
for this book is available now.

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And it ended up being a cool and almost.
It was humble in not saying, okay, buy the book,

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but run me for a test drive.
Try this 99 cent chapter. I think some sites might

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have charged a buck 99, some were
up to two 99. But try this chapter, see

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what you think of it.
Maybe you'll want to wait till next month

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and get another chapter.
Maybe from there you'll want to get the ebook, or

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maybe from there you're going to
want to get the paper back. And I found in

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looking at sales over time that many
people went to a couple audio chapters and

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then they buy the ebook.
And then even some of them,

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when I was out speaking,
they said, well, I bought these

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four chapters, then I bought the ebook, then
I bought the paperback.

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I wanted to have the physical
copy as well.

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So that one customer ended up being an array of
purchases which then help with the

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profit as a whole. The other points inside a
profit are not necessarily courses.

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And I know that people say, oh, you need to have

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a course, you need to have a
course. I don't believe

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it. If you're not a genuine
teacher, if you don't genuinely

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have a course in you, don't use one of these AI
things to fake it, because people

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are going to know. And right now, more and more
these courses are getting slammed

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and attacked for people that maybe they did have a
book in them and maybe they can

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serve well as a coach or a consultant or a
strategist, but then inside of a course,

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it just looks like crap. So if you don't have a
genuine course in you, try to move

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away from products like that, please.
Getting back to the foundation, though, we've

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talked quickly about the different
models of what you can put out.

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You talk about the speaking element, the
consulting element.

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These all become part of the foundation even
before you write the book.

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And as you go to write the book, thinking about
ways to protect the property,

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the intellectual property, the integrity, and at
the same time to look good for.

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If you want to go to a 
major publisher, if you want

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to go to a literary agent, what
are ways that you can do that can stand out in a

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world where everybody supposedly
can be an author, but really are they selecting

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you or are they going to look
at you? Or do you become worth

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the investment?
Does your story stand with authority?

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And in that, as you begin to outline it and you
begin to almost blueprint it, this

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may open many more doors, opportunities, and
even advances to do the book in

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the way that you'd hope to and in a way that
can really protect you.

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What I mean by that is outlining a blueprint of
understanding the shape of the book.

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What are you Know, as opposed to the.
I'm going to sit down and write the Great

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American Book, and I'm going to start
writing from the opening point to

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the closing point.
Consider laying it out, maybe even

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using flashcards.
I used flashcards for my third book, and

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I moved them around.
I wrote down. I'm like, okay, is

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this a chapter?
Is this a section? Is this, you

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know, a subheader?
I would call them. I did one of the

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For Dummies books.
So Is this an H1, a header 1, a header

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2, or a header 3?
And in slowly moving the pieces around and getting

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this sound foundation of what
this looked like of what was going to be written,

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it became much more comfortable.
I wrote my third book in just under four

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months, and I did that after I put
together the blueprint and this

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baseline foundation.
And in the book I was

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talking about, it was another
book on music, but I was talking

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about different things. 
And some of the same things

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from the second book, but in a
different format. And I really wanted to collect

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my thoughts in a way to make it
easier to write. I'm not an author.

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I dropped out of college to
become a drummer.

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I was in music and television
for many years.

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I'm not an author. I was not a writer.
There was a bartender in Seattle,

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Washington, gosh, what was his
name? John Moroney, said, you need

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to write a book.
And I laughed at

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him. And my first response was, as
he was serving alcohol, so you

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must be drinking. And he kind of ripped me for a
while and just kept going, you

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should write a book. You should
write a book.

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And the more I thought about it, I
said, okay, I'll try.

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And with that first book in kind of looking at,
okay, I'm not going to write

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something front to back. How am I going to
remember all these things?

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Let me break it out. I began to
design chapter ideas.

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They weren't the chapter titles, and we'll
get to that in a bit.

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And then I began to say, okay, what
sections will go where?

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And then I began to see a form and
inside of this format.

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The idea was not to write it front to back or
write complete chapters.

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It was to write from the standpoint of
not being a writer.

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I had sections and eventually I made on my
computer files for each chapter.

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I made file sections of, okay, so this chapter is
here, that chapter is here, okay?

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And I had a little, you know, notepad, word docs
that had notes in them of this will

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go into this chapter. Let's cover
some stuff on this.

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Let's cover some stuff on that.
And I was able to, in a much more comfortable

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way, write the first book by
writing what I felt in any given day.

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At that time, I was producing full time.
I wasn't really on the road. I was

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speaking a little bit.
And I would get up in the morning, I'd usually go

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for a swim, the, you know, have a
little bit of breakfast, and then I just try to

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write for, you know, an hour or two.
But in that, it wasn't just writing fluff or

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writing, who knows where this is going
to go. I would think about where I was, where the

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inspiration was, and I would see,
what chapter is that going into?

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And then inside of that file for that chapter was,
okay, here's some loose ideas,

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but this is what it's going to go, and I know
it's going to go in this chapter.

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And then eventually inside of those
chapters became sections.

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Then I could hop around 
this model, which made it a

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lot easier than people if they
were back in the days of typewriting

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or writing by hand.
I could jump from place to place.

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And I never got burnt out in writing because I
never felt the restriction or the

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constriction of being stuck or like, okay,
I've got to fill this in.

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I could be sitting here working on this section,
you know, some subsection in

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chapter three, and all of a sudden
I'd have an idea.

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And I'd either pop that idea into a notepad to
address it later, I pop that idea on

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a page in another chapter file, or I take a break
and then just go into that other

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file and write from there. 
In this, it brings almost

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a greater creativity, or it did
for me, and a greater relief to jump around, to

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have the freedom and at the same
time to get all the thoughts out.

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And then this master notepad that I had
that was right on the.

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Right on the front of the laptop.
I don't know where this is going,

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but here's a note.
And oftentimes when I was checking emails in the

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morning, I would look at those
notes. Where does this belong? And I

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moved that around myself.
And then the foundation grew into

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large chapters.
And then there was a format, and that's when the

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editor came in, and so on and so
forth. The other element in this initial phase

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can be titling and seeing almost
the chapter titles as something more important

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at first than the title of the
book itself. When we sit here, I need to

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have the great name.
I need to have a great name. I need to

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have a great name.
Maybe consider that having a great chapter Title

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name something that can stand on
its own. So if you do an audio chapter that can

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stand out, something where there's a
tagline, not just a tagline for the book, but

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a tagline for the chapter.
I believe in more of the

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educational books, and even
some of the ones that aren't as

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educational, a little bit more story.
Having that chapter title, designing that tagline

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for the chapter, and having an
opening thought and a closing thought to that

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chapter can be a great tool to get
people to read, and especially get people to read

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that might not necessarily want to
read. So the concept here, and some of this can

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also be, if you choose a different
writing mode of saying, okay, I'm going to work on

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chapter titles, taglines, opening
and closing thoughts, and then I'll fill in and

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write the chapters in from there.
Or you might end up writing inside

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and going backwards.
But either way or either direction that you

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choose, please consider having the
importance of that chapter title.

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Almost like a headline, probably under 70
characters, a tagline to it, it brings an

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extra piece to that and an opening
and closing thought.

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Here's one of the leads for the idea of
the book as a whole.

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Could somebody go into each chapter, read just the
opening and closing thoughts, and

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get the gist, or from there be drawn in that much
more to want to read the rest of

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the chapters? I believe this to be a great way to
draw people in and at the same

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time to draw media in. 
There are many people inside

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of media where they're handed a
number of books on a daily basis.

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What's going to draw them to review?
What if you sent out with a review packet

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saying, okay, here's the book.
By the way, there's opening and closing

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thoughts for each chapter.
So if you just want to skim, you can get

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a much better idea.
One of my promotion points and promotion docs that

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I sent out when I was doing pre
reviews and pre release of the second book was a

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PDF document that was just the
opening and closing thoughts of each chapter, as

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well as the opening, the opening of
the book and the conclusion of the book.

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I got a lot more interest and a lot more return on
the investment of the time that

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I put in of people asking for the entire book, of
people wanting more, of people

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wanting to dig in. So consider that opening
thought and that closing thought, and

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even inside of some of those opening thoughts and
closing thoughts, when you get

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them honed in and you've now designed a chapter,
even before that chapter is

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completely done, some of those opening and closing
thoughts can Be used in advance

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00:22:56.560 --> 00:23:03.360
of the book being put out through social media, by
audios, by videos, and especially

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quotes. And getting to the quote part,
jumping over to quotes, please

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consider inside of your book. If it's,
let it be your book.

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Be the author of your book. Don't put other
people's quotes all over your book.

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Don't let these opening thoughts, like so many
choose to do, have somebody else's

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00:23:22.640 --> 00:23:27.920
authority, somebody else's
expertise, make it yours.

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If there's a certain quote that you are tying in
some kind of knowledge or some part

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00:23:33.200 --> 00:23:38.720
of the story to, by all means, but don't have
these segments and these books with

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these people where it's just quote unquote, on
quote unquote of other people's

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00:23:43.120 --> 00:23:50.000
authority. Let it be yours. And as you find a
quote that might be important, that

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00:23:50.000 --> 00:23:51.760
might be something going, okay, this is definitely

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00:23:51.760 --> 00:23:58.400
in the book, this is definitely
here. You can make it as you can have it be

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00:23:58.400 --> 00:24:04.320
something that's pulled out as a
pull quote in certain images as opposed to just

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00:24:04.320 --> 00:24:07.840
having a chapter and a whole bunch
of pages. You could have something enlarged,

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00:24:07.840 --> 00:24:12.080
something italicized, something bolded,
something to stand out, something to break it out

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00:24:12.080 --> 00:24:17.120
for the eye for someone to read.
And if you know, okay, this quote is going in,

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00:24:17.120 --> 00:24:20.240
this quote is going in here.
It's going in the middle of chapter two.

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00:24:20.240 --> 00:24:24.320
It's on this subject. I really like it.
I know it's going to be there. Boom.

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00:24:24.320 --> 00:24:31.440
That is in chapter two. Feel free and
please consider doing this to

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00:24:31.440 --> 00:24:37.280
add that quote to Goodreads and you can add a
quote to Goodreads before your book

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00:24:37.280 --> 00:24:44.560
is published, to sites like quotes.net to quote
fancy and to many of these

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00:24:44.560 --> 00:24:51.600
other places where you can begin to pre
optimize the IP of your

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00:24:51.600 --> 00:24:57.120
work so that as the book comes out, when people
look up some of these quotes, they

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00:24:57.120 --> 00:24:59.920
find them located in all these
other places.

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00:24:59.920 --> 00:25:06.160
Every so often it can be good to put out that blog
of your quotes and add it on a

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00:25:06.160 --> 00:25:09.600
website inside of an article. 
Quotes that you can be

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00:25:09.600 --> 00:25:14.320
quoted on inside of interviews.
Would you quote me on this? That's great.

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00:25:14.320 --> 00:25:19.680
Let's say it's one of the Kirkus reviews and it
goes through a major publisher.

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00:25:19.680 --> 00:25:24.000
That's a quote that's going to have some high
authority and point back to you.

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00:25:24.000 --> 00:25:29.280
Recently, right now, in just protecting some of my
older quotes, I ended up doing a,

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00:25:29.280 --> 00:25:33.520
you know, I ended, I titled it Top 100
Loren Wiseman Quotes.

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00:25:33.520 --> 00:25:38.320
Now, this isn't a look at me. These are quotes
that I hope people are happy with.

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00:25:38.320 --> 00:25:44.560
But the main point was to reestablish quotes that
were from my book, from my three

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00:25:44.560 --> 00:25:48.320
books, quotes that I've had on my website, quotes
I shared in interviews, quotes

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00:25:48.320 --> 00:25:52.800
about how I operate, how I like to work with
people, what I advise people to do.

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00:25:52.800 --> 00:25:57.120
And again, it's a re energizing of
these are mine.

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00:25:57.120 --> 00:26:02.000
And so at the same time, you can do that in
advance, these are yours.

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00:26:02.000 --> 00:26:09.360
Creating elements in advance can also help whether
you're going to a literary agent,

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00:26:09.360 --> 00:26:13.360
whether you're going to a hybrid, whether you're
going to a major publisher for them

315
00:26:13.360 --> 00:26:18.400
to see the strength of what's being created, to
begin to see the buzz of what's

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00:26:18.400 --> 00:26:22.480
happening, whether you end up with a working
title, whether it ends up having the

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00:26:22.480 --> 00:26:26.880
title ends up having to change somewhat,
that can happen too.

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00:26:26.880 --> 00:26:33.440
But coming back to the blueprint, in really
designing chapter titles, in designing a

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00:26:33.440 --> 00:26:39.440
title for the book, in looking, in doing a brand
discovery, and that's something you

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00:26:39.440 --> 00:26:42.800
can do with someone like me, that's something
you can do with other brand

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00:26:42.800 --> 00:26:49.200
strategists that understand this methodology
and this model to work in, to

322
00:26:49.200 --> 00:26:54.320
understand what is the chapter title, what is the
title of the book going to be when

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00:26:54.320 --> 00:26:58.320
that's searched on. Are you buying some of
the domain names already?

324
00:26:58.320 --> 00:27:05.680
Are you securing a social media Are you
securing a social media set?

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00:27:05.680 --> 00:27:09.920
Do you have this stuff taken? Maybe you don't know
what the COVID of the book is

326
00:27:09.920 --> 00:27:15.680
necessarily going to be and you have just a holder
image, but this is where your ex

327
00:27:15.680 --> 00:27:19.920
is going to be or formerly Twitter.
This is the Facebook, this is the Instagram, this

328
00:27:19.920 --> 00:27:24.720
is where you'll have your YouTube
having these things set up.

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00:27:24.720 --> 00:27:28.880
Not only does it set up
a primary level of security for

330
00:27:28.880 --> 00:27:34.080
you, for your IP and for the book, but it can be
a great preliminary marketing

331
00:27:34.080 --> 00:27:40.640
element to go to, to go to a publisher and
state, this is what I'm doing.

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00:28:11.520 --> 00:28:17.440
When I had put out a book proposal, put out a
book proposal on a Friday

333
00:28:17.440 --> 00:28:23.280
and it came back on a Monday afternoon
saying we want this.

334
00:28:23.280 --> 00:28:28.560
And what I sent in the proposal, it was one
chapter done, it was 11 chapters

335
00:28:28.560 --> 00:28:33.360
stated. These are the names, this is what
I want to call them.

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00:28:34.160 --> 00:28:38.080
I understand certain things are going to change,
but from an SEO standpoint, from a

337
00:28:38.080 --> 00:28:41.680
competitive standpoint, from a comparative
standpoint, from a connotative

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00:28:41.680 --> 00:28:46.880
standpoint, these may be the strongest.
Here's the opening and closing thoughts as they

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00:28:46.880 --> 00:28:50.640
are at the moment for the rest of
the chapters. And by the way, here are

340
00:28:50.640 --> 00:28:54.080
the domains I purchased.
Here's the social media sites that are all

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00:28:54.080 --> 00:28:57.120
up, there's nothing on them.
And here's the outline in the direction

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00:28:57.120 --> 00:29:04.640
of where I'm taking it.
I became less of a risk and a safer investment to

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00:29:04.640 --> 00:29:08.400
be viewed for what I was doing
and what I was doing in advance while the

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00:29:08.400 --> 00:29:13.360
book was still being written.
And in that it brought a level of promotion and

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00:29:13.360 --> 00:29:21.600
it also helped once the book
cover came back, I believe that was.

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00:29:21.600 --> 00:29:30.800
Oh, book came. It came back in.
I think it was like December. I don't even

347
00:29:30.800 --> 00:29:34.240
remember the year now.
But then I could use the image

348
00:29:34.240 --> 00:29:38.640
of the book.
And the book was still five months out

349
00:29:38.640 --> 00:29:42.640
from being released.
And I was able to get the images of the book, the

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00:29:42.640 --> 00:29:46.240
fonts, all the typeset, all the
look up onto all these social

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00:29:46.240 --> 00:29:48.720
media headers.
I was able to get the front in the backs

352
00:29:48.720 --> 00:29:51.760
for the YouTube videos.
I was able to get a lot of just the

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00:29:51.760 --> 00:29:55.600
watermarking done.
And then I was even starting to put out from there

354
00:29:55.600 --> 00:29:59.120
the videos about going a little
further into this is what I talk

355
00:29:59.120 --> 00:30:02.560
about in this chapter.
These are some of the ideas. Here are

356
00:30:02.560 --> 00:30:05.360
some of the quotes.
I was putting the quotes up Through Goodreads,

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00:30:05.360 --> 00:30:11.440
through Quotes.net/OwnQuotes.com and
through these other places I was building

358
00:30:11.440 --> 00:30:16.800
simultaneously while writing the book.
And then yeah, it went to editing and went to,

359
00:30:16.800 --> 00:30:20.560
you know, tech editing and
proofreading and the whole nine yards and

360
00:30:20.560 --> 00:30:23.760
a lot of that stuff.
Yeah, that's down the line. And again, the writing

361
00:30:23.760 --> 00:30:27.040
process, it might be a little bit
longer for you. Not saying you have to write it in

362
00:30:27.040 --> 00:30:33.840
four months, you might write it
in two years. But still in the first phase in

363
00:30:33.840 --> 00:30:39.520
this security, stability,
foundational phase, consider the outline,

364
00:30:39.520 --> 00:30:44.640
consider the blueprint.
Consider putting this together for yourself,

365
00:30:44.640 --> 00:30:51.760
working with someone like me, or
working with me on one of these so that you have

366
00:30:51.760 --> 00:30:57.440
all the formats in place, so
that whether you're pre pitched to a hybrid, a

367
00:30:57.440 --> 00:31:00.960
major, a literary agent, whether
you're doing this yourself and you just want to

368
00:31:00.960 --> 00:31:07.760
protect the story as it goes out,
whether you want to build up the advanced traction

369
00:31:07.760 --> 00:31:11.120
before the book comes out, you're
setting a precedent

370
00:31:11.120 --> 00:31:16.160
with a better foundation that's
that much more stable to build

371
00:31:16.160 --> 00:31:22.560
and get the exposure you're looking for.
Consider taking your concept, and this is part of

372
00:31:22.560 --> 00:31:27.840
where you protect it as well, into
a level where it's showing up in.

373
00:31:27.840 --> 00:31:32.800
It's almost like blockchain book writing, for lack
of a better word, that it's not

374
00:31:32.800 --> 00:31:37.040
just I'm working on a book and it's coming or
something that you pop out on your

375
00:31:37.040 --> 00:31:43.360
personal, your business, social media, but that
the domain is taken, the social

376
00:31:43.360 --> 00:31:48.720
media handles are taken, the outline of what
you're creating is out there.

377
00:31:48.720 --> 00:31:55.040
That this begins to showcase a strong, viable
product that has the legs

378
00:31:55.040 --> 00:32:03.600
to it to run for a long distance.
That idea of stating if you can, multiple audio

379
00:32:03.600 --> 00:32:09.440
chapters released over an extended
amount amount of time discussing in options if

380
00:32:09.440 --> 00:32:13.680
there are other books inside of you
or other books that tie to this, that here's the

381
00:32:13.680 --> 00:32:16.320
book that I'm doing, here's the
outline of it, here's the

382
00:32:16.320 --> 00:32:19.760
opening thoughts, closing
thoughts, taglines of chapters,

383
00:32:19.760 --> 00:32:26.000
tagline of the book as a whole.
And from here I would go to here figuring out some

384
00:32:26.000 --> 00:32:29.440
of the market and some of the
analytics and the brand of where this

385
00:32:29.440 --> 00:32:35.520
may impact the best.
Not, excuse me, not shortcutting.

386
00:32:35.520 --> 00:32:40.160
If this is to be something a little bit bigger
than that local little, you know,

387
00:32:40.160 --> 00:32:45.920
mom and pop self publishing publishing house that
can pop you up on Amazon and print

388
00:32:45.920 --> 00:32:49.440
you 500 copies is not going to
be the answer.

389
00:32:49.440 --> 00:32:52.880
There's also in between the
self, the hybrid.

390
00:32:52.880 --> 00:32:57.920
There's also investment opportunities, there are
ways to go for investment for your

391
00:32:57.920 --> 00:33:04.880
books. And once you showcase what's going
on, you may be able to draw

392
00:33:04.880 --> 00:33:11.120
out investment. So the main point being and kind
of summing things up and then

393
00:33:11.120 --> 00:33:18.480
a last thought, prep the best
foundation that you can for

394
00:33:18.480 --> 00:33:24.880
the authenticity and the authority of your story
so that even while you're in the

395
00:33:24.880 --> 00:33:31.040
midst of writing it, you're promoting it, while
you're building the message across

396
00:33:31.040 --> 00:33:36.480
it, you're marketing it and that you're already
bringing in all the authentic

397
00:33:36.480 --> 00:33:40.480
structures prior to the editor, the
proofreader, the tech reader.

398
00:33:40.480 --> 00:33:45.920
You're authoring out and advertising what this
thing is going to be to the public,

399
00:33:45.920 --> 00:33:53.920
to media, to literary agents in advance.
And in the last part of this, and this

400
00:33:53.920 --> 00:34:01.600
impacted me with a particular book
in the last part, read carefully the contracts

401
00:34:01.600 --> 00:34:08.480
and the deals that you get into.
Look for the warning signs, look for

402
00:34:08.480 --> 00:34:14.560
situations that
don't maybe appear at first. This goes

403
00:34:14.560 --> 00:34:19.920
with anything I would say.
And I used to say I don't say it anymore.

404
00:34:19.920 --> 00:34:25.840
And I really corrected myself shortly after one of
the books came out that I felt a

405
00:34:25.840 --> 00:34:30.000
little bit screwed over by a
situation that occurred.

406
00:34:30.000 --> 00:34:36.880
And in the end it was my fault.
It wasn't. These people chose to do something

407
00:34:36.880 --> 00:34:43.040
that was not very moral, not
very ethical and absolutely questionable.

408
00:34:43.040 --> 00:34:48.880
And it cost a lot of. But I didn't take
the time to read a

409
00:34:48.880 --> 00:34:52.240
section of a contract that I thought I
just buzzed across it.

410
00:34:52.240 --> 00:34:59.120
It seemed fine to me, but it wasn't fine.
And it cost me a lot in the long run.

411
00:34:59.120 --> 00:35:03.600
And while I'm still proud of the work and the work
still is out there promoting,

412
00:35:03.600 --> 00:35:08.480
there was also a piece of that that it was very
harmful, but it was harm that I

413
00:35:08.480 --> 00:35:13.120
caused because of my lack of due diligence, my
lack of vetting, and my lack of

414
00:35:13.120 --> 00:35:17.840
double checking. If you get right as you're
getting to that point of whether it's

415
00:35:17.840 --> 00:35:24.800
signing or distributing or whatever deal that you
might end up cutting, look very

416
00:35:24.800 --> 00:35:31.520
carefully. And if you're not 100% sure and
really in all to get a lawyer

417
00:35:31.520 --> 00:35:37.840
to review a contract or if you're really clear on
parts of it, to say, okay, I'd

418
00:35:37.840 --> 00:35:43.920
like to book this consultant, because there's this
one page or this paragraph or

419
00:35:43.920 --> 00:35:49.600
this that I'm a little unclear with.
Having that legal person review that

420
00:35:49.600 --> 00:35:57.360
with you, it can make
all the difference. So in close, consider the

421
00:35:57.360 --> 00:36:01.440
brand strategy of your book,
the optics of your book,

422
00:36:01.440 --> 00:36:04.640
the foundation, even before
you've written the whole thing.

423
00:36:04.640 --> 00:36:07.840
Consider moving away from the idea of I need to
write a book and complete this

424
00:36:07.840 --> 00:36:13.280
thing. Before I think about any of that, I say
do the very beginning steps

425
00:36:13.280 --> 00:36:20.880
simultaneously to create the greatest foundation
so that the IP stays yours,

426
00:36:20.880 --> 00:36:26.480
so that people know. Begin to learn your quotes,
begin to learn parts about your

427
00:36:26.480 --> 00:36:29.920
story, things that you can 
feed into podcasts, into

428
00:36:29.920 --> 00:36:35.520
videos, into short videos, into
the quotes that go out, into articles, even into

429
00:36:35.520 --> 00:36:38.480
parts of it, of a little bit of the
story of where you're at with

430
00:36:38.480 --> 00:36:43.520
how you're writing it
and bringing this whole product

431
00:36:43.520 --> 00:36:49.600
that goes beyond just the book itself to a finish
line that is a starting point for

432
00:36:49.600 --> 00:36:54.960
the book, for the subsidiary elements of the
book, the ebook, the audiobook,

433
00:36:54.960 --> 00:37:00.560
whatever else, the speaking, 
if there are seminars,

434
00:37:00.560 --> 00:37:04.640
whatever else is involved, or if
it's cross promotion of products or

435
00:37:04.640 --> 00:37:11.440
your services, whatnot.
But when you add that different view and when you

436
00:37:11.440 --> 00:37:16.080
power up a little bit more with
this blueprint and this foundation and you have

437
00:37:16.080 --> 00:37:23.040
that genuine story, I believe you
can have and create a greater impact in media, in

438
00:37:23.040 --> 00:37:28.480
the publishing world, and then in
the launch, sales and recognition, as well as

439
00:37:28.480 --> 00:37:34.400
genuine reviews, and be able to get
that just that much further out to the

440
00:37:34.400 --> 00:37:52.000
world, that's all I got.
My name is Loren Weisman. Have a good one.

